Monday
Jul192010

Crud On My Slacks Part 1

My dad was a music fan. He couldn't play an instrument to save his life, but he tried, by God he tried. Many a Saturday morning I awoke to his clipped and clumsy attempts to replicate something resembling a Beethoven sonata. He finally sold the piano and conceded that piano (and eventually) guitar playing were not to become his all consuming passion(s). Instead, he just listened more intently to other people's music trying to squeeze out every drop of satisfaction that he possibly could.

I listened along with him when he brought home the Beatles white album. Such fun we had singing along with those silly songs about piggies, raccoons and honey pies! He had my sister and I singing alongside Mel Torme, Harry Belafonte and Joan Baez and sent us outside when he cranked up the Miles Davis or the London Philharmonic. He had no interest in Elvis Presley, seemed to actually loathe him because he never wrote any of the songs he sang and was therefore (according to dad) talentless. He was equally unimpressed about the stuff that my sister and I gravitated towards (John Denver, Pink Floyd, Stevie Ray Vaughan and Frank Zappa for me; Olivia Newton-John, Heart and REM for my sister).

When we lived in Houston, my dad went to The Summit  to see Elton John, Neil Diamond and Fleetwood Mac. He once took me to see Roy Clark at a smaller venue (I was a budding banjo student at the time), and because I begged, he took the whole family to see John Denver in 1975. When I was in high school, I bought two tickets to go see Men at Work at the Reunion Arena in Dallas, hoping to find a girl who would go with me. When I finally came to grips about the reality of that possibility, I asked my dad to come along. He had a great time... even though I believe his hearing impairment began in earnest at that show. 

He loved classical and most kinds of Jazz. He loved folk (The Four Freshmen and The Kingston Trio). He learned to appreciate bluegrass, because I loved it so much and we spent at least a few hilarious hours listening to stupid songs on the Dr. Dimento Show. But for my dad, the one and only true living legend was Bob Dylan. It would be safe to say he was a Bob Dylan freak. He had every album, bought every book about or by him and even loved the few films he was in. He and I went to one Dylan show in Dallas, and we agreed it was awful, but for my dad, the Man could do no wrong musically, even if he had an off night or if the sound system was sub standard. 

For many years my dad lived in the musical desert of Waco, Texas and never could bring himself to travel to Austin or Dallas to go see a show, so he stayed home and dreamt of a day when he'd live in a real city. Eventually that day came and he found himself in the Washington DC area. He and his wife were constantly concert going. They took train trips up to New York to see the Metropolitan Opera, or they'd get on the Metro and go see Odetta or Trout Fishing in America at Wolf Trap. Often, he'd go by himself to go see Bob - 3, 4 or 5 times a year, sometimes 2 nights in a row. That's devotion. He said he went so often because you'd never know what Bob was gonna do and that he'd never play the song song the same way. Whatever floats your boat, I guess.

Don't get me wrong, I'm a Dylan fan too, of course, but you know, there's a limit... well for most of us there's a limit.

My dad had what might be called a difficult relationship. We pissed each other off, we confounded each other and we searched for "safe" topics of discussion. Well, music and Bob was pretty comfortable and one year I decided that I'd record my own version of Blood on the Tracks for him. Because I'm a pretty sloppy musician, I called my version Crud on My Slacks. It took me a long time to create and when I finally decided I was done, it went out to him without Idiot Wind or Meet Me in the Morning, but with a Bonus Track of Every Grain of Sand. He said he liked most of it.

On May 1 of this year, my dad died after an astonishingly brief battle with lung cancer. At his memorial service in Denver I sang a version of Every Grain of Sand. I don't know if my voice was wobbly or if the guitar was out of tune... I do know I messed up one of the lines. My dad used to always say of my art (visual and musical), that if it was perfect, it wouldn't be me. I like to think he was reclining in his lazy boy listening to me trying to replicate something resembling something his hero wrote and grinning a quiet grin. Liking most of it.

For my dad and any other Dylan fans out there, here's a couple from Crud on My Slacks

Every Grain of Sand

 

 You're Gonna Make Me Lonesome When You Go

 

Tuesday
Jun292010

The Coop Celebrates its Fifth

On Sunday, The Dixon Co-Op market celebrated its 5th anniversary with music by the Pathetiques (not officially the Pathetics, but pretty close), barbecue brisket by Preacher, cake, and other munchies provided by some of the stores suppliers.

Looked like everyone was enjoying the celebration. 


Monday
Jun212010

Water Water Everywhere

Water, water everywhere

 Some be salty; some be fair.

 Some be oily, foul  and black

 Cries to us of what we lack.

We moved past the hour of Summer Solstice early Monday. One of the pagan holy days, the day when we move into the Cardinal Water sign Cancer, and the beginning of shorter days, this particular Solstice holds the prayers and intentions of millions for healing this splendid planet we share with so many beings. An especial focus is the water; all bodies swim through the miraculous elixir one way or another. 

Five years ago, I wrote an in-depth article about water for the website PlanetWaves.net and discovered information that made me repeatedly gasp. Remember a bit of the story that was happening then. Five days before the first day of 2005, the Asian Tsunami killed nearly 300,000 people. Horrendous water events continued through the year, with major floods devastating every continent and many islands. Britain was inundated with two C-3 events*, while China was overwhelmed with two C-3 and two C-2 floods. Fresh water was unavailable to 1.5 billion humans. 

Virtually every state in the United States wrestled with astonishing floods that year. A preposterous number, some ten trillion (give or take) gallons, of untreated storm waters entered US surface waters: reservoirs, lakes, ponds, streams, riparian areas, rivers. At that time, the Environmental Protection Agency believed as many as 850 million of those gallons were raw sewage. Ole Man Mississippi drains nearly 40% of the continental US; as much as 90% of all freshwater dumping into the Gulf of Mexico is from this huge river system. Runoff from the Mississippi was then so toxic that a “dead zone” existed far into the Gulf of Mexico.

Then came Katrina. 

Separated by a short eight months, the Asian Tsunami and Hurricane Katrina served as a sort of horrific bookends to 2005. These two catastrophes were the only two C-3 saltwater inundations during the twelve-month period and they account for nearly 98% of the destruction created by all C-3 floods that year.

Since 2005, weird flooding continues to confound us. What happened this year in Tennessee, Oklahoma, Arkansas, North Dakota is almost unbelievable and the onslaught continues. One of my most treasured places in the world, an island to which I believe I belong, sight unseen, is the Ile de Sein, a tiny scrap of rocks off the westernmost tip of Brittany. The islanders grapple with the reality that their home island may soon be lost in the continued rising of its nesting water, the Atlantic. In a few years, the place the Roman geographer Mela identified as the home of nine Sena priestesses in 47 AD may no longer exist. Gone.

Now the magnificent, the staggeringly beautiful, lush, bounteous, and utterly unique Gulf of Mexico swirls in the iridescent poison of crude oil. A plethora of news, public relations, and governmental sources estimate between 100,000 and 1,000,000 gallons of oil a day escape from British Petroleum's offshore well. And, still no real sign that the required expertise and technology to stop this ghastly pollution truly exists. 

All of this is essentially incomprehensible to us humans; the massive proportion of this reality chokes us. We're walking around in some sort of stupor, shutting down our brains and our emotions because of the overwhelming information. What the hell can we do about it? Take tiny steps in our own slice of the world.

A simple request: Join us in asking the Great Holiness, even if you prefer to call it Darwin or Reason, to spark the brilliance which will turn all of this toxic flow into something life-preserving for this splendid globe. And, take a moment to be grateful for the miraculous gift of fresh water. 

Water, water everywhere

Clearly tells us we must dare

Heal our Mother's holy sea.

As we will, so mote it be.

* Class Three (C-3) events, as designated by the Dartmouth Flood Observatory, are those which are extreme, with an estimated recurrence interval greater than 100 years; Class Two (C-2) are very large floods, with a recurrence likelihood of more than 20 years but less than 100 years.

 

Sunday
Jun062010

Cost Effective Zero Energy House

The most cost effective way to reduce the energy used in a home both during construction and while it’s lived in, is to make it smaller.  The average size of a home in the United States has almost doubled since 1970.  I don’t think those of us who were around then felt deprived by the size of our home.

There are some strategies to get more space from the same amount of materials.  One is the row house.  Part of my childhood was spent in intercity Philadelphia.  Our 4 bedroom home was only 20 feet wide though it was quite deep front to back.  Much of the side or what was called a party wall was heated on the other side so there was no heat loss through more than half of the exterior walls.  There was also a surprising amount of privacy with no side windows.  Since the wall and foundation was shared it saved cost, materials, labor and energy. 

Click to read more ...

Sunday
Jun062010

Fun with Auto-Tune

In case you were wondering (and I'm sure you were) Sweetgrass took a little sabbatical over the winter while some of its members were "indisposed". Well what's a feller to do when his band is disbanded? Well there's always Garage Band. Program a little bass and drums, and phh! who needs band members?! Of course for maximum thrills (and to sound like modern pop-radio) you will always want to turn up the Auto-Tune function all the way to 11! Or not.... You decide.

 

Under a Stormy Sky Original by Daniel Lanois. This version by Jeff Spicer